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And Just Like That Finale Sparks Widespread Fan Disappointment and Criticism

The 'And Just Like That' series finale drew widespread fan criticism for its disappointing plot, heavy-handed metaphors, and crude bodily function references, despite showrunner Michael Patrick King's vision.

Overview

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  • The series finale of 'And Just Like That' has been met with significant disappointment and heavy criticism from fans of the original 'Sex and the City' character, Carrie Bradshaw.
  • The finale's use of a plumbing issue, including an overflowing toilet, drew criticism for being a heavy-handed and crude metaphor, symbolizing the show's perceived decline.
  • Viewers also criticized the episode for its excessive and often unnecessary references to bodily functions and waste, contributing to the overall negative reception of the conclusion.
  • Showrunner Michael Patrick King stated his belief that the series finale aimed to convey a message of self-acceptance, offering his perspective on the controversial ending.
  • King also confirmed that the decision to conclude the series with season three was made by him, indicating a planned end point for the 'Sex and the City' spin-off.
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Analysis

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Center-leaning sources present this story neutrally by focusing on a direct interview with the show's co-creator, Michael Patrick King. They prioritize his insights into the series finale, character arcs, and creative decisions without injecting overt editorial bias. The questions are largely open-ended, allowing King to elaborate on his vision and address specific plot points.

"Instead, the final episode almost looks down on Carrie's relationship status with pity."

USA TODAYUSA TODAY
·17d
Article

"Carrie Bradshaw is choosing herself, marking a significant evolution in her character's journey."

DeadlineDeadline
·17d
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FAQ

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Fans found the plumbing issues, including an overflowing toilet, to be a heavy-handed and crude metaphor that symbolized the show's perceived decline. The excessive references to bodily functions and waste were seen as unnecessary and contributed to the overall negative reception of the finale.

Michael Patrick King stated that the finale aimed to convey a message of self-acceptance, reflecting the lead character Carrie's journey toward embracing herself rather than relying on a man for fulfillment.

Samantha was referenced as a contrast to Carrie, highlighting Samantha's independence and self-understanding as a sovereign human being who values pleasure and friendship over romance, something Carrie only approached late in the series, underscoring Carrie's perceived character flimsiness.

Showrunner Michael Patrick King confirmed that the decision to conclude the series with season three was his, indicating a planned end point for the 'Sex and the City' spin-off.

Viewers and critics noted that Carrie only began to embrace self-acceptance very late in the finale, raising questions about whether she was ever truly 'wild' or 'free,' and suggesting that outside of her relationships and fashion interests, she lacked a well-defined personal identity.

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